The pivotal moment, a series of epiphanies, all rolled into a single act of self-awareness. It can be known as the “Cyclops’ Eye,” frames which elevate a story. In Den of Thieves, two men on opposite sides of the law share meaningful glances at a shooting range. No dialogue is uttered because everything has been said. However, removing this scene from the film would make it a lesser piece. Why? Cyclops knows best.

What ends up blurred in real life are the factors which make cops and criminals so similar. Best case example: a lawman knows his quarry to such an extent he can anticipate what the other might do. Gut instinct plays a part too. Survival factors in tremendously because I believe our emotions are too complex to be founded on a blank slate. Those that are born share the genetic make-up of ancestors who have channelled the very same desires and fears.

Regarding Den of Thieves, Big Nick (the outstanding Gerard Butler) carries his own problems: failed marriage, workaholic, refusal to play by the rules and the sense of ownership. He controls his space to the same degree that Merrimen (Pablo Schreiber, equally superb), a former marine and recent parolee, plans robberies. Both men share dedication for what they do. There’s confidence and intelligence behind every choice. As such, writer/director Christian Gudegast depicts their plight accurately.

One technical element which stood out would be those ear-deafening, high powered automatic weapons. For those that prefer less over more, feel reassured that gunplay isn’t the core subject here. The plot has other things to consider, such as the individual and collective moves made by opponents prior to checkmate.

(Released by STXfilms and rated "R" by MPAA.)

For more information about Den of Thieves, go to the IMDb or Rotten Tomatoes website.