When horror works, characterization always comes first. In The Conjuring 2, writer/director James Wan proves that people’s emotions are essential. Along with fellow scribes Carey Hayes, Chad Hayes and David Leslie Johnson, the screenplay transcends mere monster making. If it were simply evil minions chasing people around, I wouldn’t care. In Wan’s case, the drama involves everyday folks fighting supernatural forces.  

For the record, I would never touch a Ouija board. In fact, whenever characters in a creature feature mess around with such things I think, “Don’t touch that. Get rid of it!” I spoke to someone recently whose close friend never recovered from her Ouija board experience. More to the point, we witness the same spiritual tampering in The Conjuring 2.

Two young sisters play with a makeshift Ouija board. They call to any spirits which might be present and they get no response. That comes later… when everyone’s asleep. There’s loud hammering on the bedroom door, a toy truck moves of its own accord… and Janet Hodgson (Madison Wolfe) teleports from her bedroom to a spot where the previous occupant died. What’s going on and can paranormal investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) save the Hodgson family?

 Being impressed by Kirk Morri’s editing on The Conjuring, my expectations were heightened for the sequel. He doesn’t disappoint. Far from simply telling the story, he proves quite innovative. For example, when Ed questions Janet about her experiences (the latter carries a demonic presence) the camera holds on one actor while leaving the other out of focus. Because reactions are crucial to this story, we stay with Ed. Ultimately, this makes the scene strong and subtle. For what can horror achieve without the frightened expression on a mortal face?

 Everything in The Conjuring 2 feels created on-the-spot. No doubt some computer enhancement was required, yet the main jolts appear tactile and immediate. In modern times, CGI offers a safety net that storytellers can embrace. However, there are pros and cons to consider. Yes, the imagery becomes more photo-real with each technological advance. However, actors need something real in order to create a natural response. Because Wan’s technique comes across as handmade, the available light throws such details into sharp perspective.

Meanwhile, cinematographer Don Burgess utilizes a fascinating visual playbook. Browns tend to darken while whites seem milkier, making healthy specimens appear bedraggled. His shots rarely call attention to the lonely wandering camera because every movement reaches deeper into the story. Ergo, dangerous happenings remain a footstep away.

It’s an exciting time to be a young actress. I eagerly await the next project featuring the talented Madison Wolfe. Like Maika Monroe, Wolfe’s emotional life promises infinite potential. Additionally, Patrick Wilson keeps up the goodwill via an exceptional performance. His version of “Can’t Help Falling in Love” couldn't be better.

Overall, The Conjuring 2 boasts enviable credentials. The contrast between heavier satanic vibes and a harmonious family existence lends this particular franchise startling clarity.

(Released by Warner Bros. Pictures and rated "R" for terror and horror violence.)