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ReelTalk Movie Reviews
Writing Movie Reviews
by Betty Jo Tucker

In response to numerous e-mail requests for advice about writing movie reviews, I’ve put together a description of the approaches and techniques that work for me. So, if you’re a wannabe film critic who loves movies and writing, read on.  

But first, an explanation of my personal “reviewing” philosophy. In Confessions of a Movie Addict, I admit to enjoying films primarily for their escapist entertainment value. However, I also look for impressive artistry, a great story, and memorable performances. Because I see approximately 200 movies a year, I try to include comparisons of cinematic elements and performances in most of my articles. If the movie reminds me of something in my own life, I think it’s important to elaborate on that connection.

When writing a review, I like to offer more than an opinion of each movie, so I attempt to give the reader something to think about in terms of what matters in a film, but with a different twist whenever possible. When people disagree with me about a movie, I want them to have a better understanding of their own values, opinions, and beliefs after reading my review. But most of all, I hope they are entertained.

Next, if you’re still with me, here’s the process I follow. I begin by going over any notes I took while watching the film (which isn’t easy, considering my handwriting makes chicken-scratches look good). I think about which areas I want to emphasize, decide on a “hook” for the opening, and then start writing. The first and last paragraphs are hardest for me, probably because I want them to match up in some kind of coherent manner and I’m not always successful at doing this.   

In the main body of the piece, I try to cover the film’s essence while focusing on the areas mentioned above (in the philosophy paragraph). Giving away too much about the plot is a no-no and makes for a boring review, so I avoid this as much as possible.

After I finish my first draft, my husband checks it for “elbows” -- things that stick out and interfere with the flow. Every film critic needs someone like Larry, a person who will be candid about what needs fixing in each review. Whenever he’s not available, I read the review out loud to myself. This helps discover any awkward phrasing.       

Finally, the most important step of all -- the dreaded re-write. I check again for errors in grammar, overuse of passive verbs, lack of specifics, and unclear references. To me, a review is never finished. It can always be improved. If I didn’t have a deadline, I’d probably still be working on the first review I ever wrote.

I hope these tips are helpful. Good luck with your writing!


                                                                                                                                                                               
 
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