ReelTalk Movie Reviews  


New Reviews
Beauty
Elvis
Lightyear
Spiderhead
Jurassic World Domini...
Interceptor
Jazz Fest: A New Orle...
Chip 'n Dale: Rescue ...
more movies...
New Features
Poet Laureate of the Movies
Happy Birthday, Mel Brooks
Score Season #71
more features...
Navigation
ReelTalk Home Page
Movies
Features
Forum
Search
Contests
Customize
Contact Us
Affiliates
Advertise on ReelTalk

Listen to Movie Addict Headquarters on internet talk radio Add to iTunes

Buy a copy of Confessions of a Movie Addict



Main Page Movies Features Log In/Manage


Rate This Movie
 ExcellentExcellentExcellentExcellentExcellent
 Above AverageAbove AverageAbove AverageAbove Average
 AverageAverageAverage
 Below AverageBelow Average
 Poor
Rated 3.07 stars
by 222 people


ReelTalk Movie Reviews
Here Comes the Judge
by Betty Jo Tucker

As an avid Emma Thompson fan, I want to thank her for a brilliant performance in The Children Act. Of course, it’s no surprise to see Thompson’s transformation into the character she plays on screen. She does that in every film. Examples? Movies as diverse as Sense and Sensibility, Love Actually, Saving Mr. Banks and Nanny McPhee. But this time, I couldn’t help thinking she was actually feeling the various emotions of Judge Fiona Maye -- and not just acting -- in each scene.

This very dedicated jurist is busy making sure she arrives at the right decision for the cases brought to her. Unfortunately, she’s so involved in her work that her husband of many years (played by Stanley Tucci) doesn’t get much attention. It’s no wonder he wants to have an affair. He tells her this at a bad time, for Fiona has been assigned an important case -- one involving a life-or-death matter. It’s also a case that ends up changing almost everyone involved, including Fiona.  

In Britain, a law was passed called The Children Act, which requires government intervention in cases where individuals under the age of 18 refuse life-saving treatment. That’s why this drama includes scenes about religious objections to blood transfusions. And that’s the difficult situation Fiona must deal with.              

She works so hard; is that okay?

The law’s her life. No time to play.

But one case causes her to blink

and feel and touch and really think.

 

A teenage boy about to die

refuses blood. She must know why.

So to the hospital she goes.

Their conversation simply glows.

 

That scene is cinematic gold.

It’s touching and extremely bold.

As the judge, Emma Thompson soars.

Her talent shines and never bores.

       

I wish the scenes were all this fine.

But many seem just out of line.

Too many things thrown in the plot.

At least that’s what this critic thought.

Fionn Whitehead (Dunkirk) plays the teenage boy in question. This handsome young actor turns in a revelatory performance in this key role, especially during the scene mentioned above. So if this review were only about Thompson and Whitehead, it would be one-hundred percent positive. However, several things annoyed me enough to take me out of the film, and I always hate it when that happens.  

For example, the opening section of the movie seems too long and too frantic. There’s too much happening to follow. And the ending offers an unsatisfactory explanation for the final decision made by one of the main characters.   

Also, it’s not fair to tease the audience about a certain song and never play it. That might be a minor point for many people, but for me it tips the scale. I know what you're thinking. "What's the title of that song?" You'll have to see this movie to find out.  

(Released by A24 and rated “R” by MPAA. Available now on Prime Video)

For more information about The Children Act, go to the IMDb or Rotten Tomatoes website.


                                                                                                                                                                               
 
© 2024 - ReelTalk Movie Reviews
Website designed by Dot Pitch Studios, LLC